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Good Morning, Midnight (Penguin Modern Classics)
Good Morning, Midnight (Penguin Modern Classics)

Paperback
Edition: New Ed
Author: Jean Rhys
Publisher: Penguin Classics
Release Date: August 2000
ISBN-10: 0141183934
ISBN-13: 9780141183930
List Price: £7.99
Average Customer Rating:
Score = 4.5 Score = 4.5 Score = 4.5 Score = 4.5 Score = 4.5
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Customer Reviews
Average Customer Rating: Score = 4.5 Score = 4.5 Score = 4.5 Score = 4.5 Score = 4.5

Excellent
 Customer Rating:  Score = 5 Score = 5 Score = 5 Score = 5 Score = 5
For me this book combines the highest integrity of the modernist enterprise with the pervasive pessimism of emergent postmodernism. Rhys's character is first and foremost a suffering human being; although a byproduct of the enormous changes in society for women in the 1920s and 1930s, this woman's dissolution and isolation is a literary triumph. With no feminist agenda and without aspiring to the obscure or difficult experimentation of other modernists, Rhys portrays the decline of a person no longer equipped to deal with the intrusion of society into their disintegrating personal life. Are the vultures really gathering, or is this just her perception of life? How honest a portrayal of the social outcast - the destitute, the alcoholic, the fallen woman, the ageing woman, the victim. Has anyone written like this, before Rhys or since?

Good Morning, Midnight
 Customer Rating:  Score = 4 Score = 4 Score = 4 Score = 4 Score = 4
A bleak, compelling novel, detailing the despair of someone who has been battered and bruised by life. A strong element of how someone's problems can prevent them from ever taking an opportunity for happiness or emotional connection with another human being.

Recommended read from an author who has in my opinion written far better than Wide Sargasso Sea.

romanticism and loneliness of a Parisian gutter life
 Customer Rating:  Score = 4 Score = 4 Score = 4 Score = 4 Score = 4
Paris is the city to get lost and drunk in. This can be seen by the amount of literature concerned with these two essential elements of life, and Jean Rhys has conjured up an exquisite example of the stream of consciouness 'life in the gutter' tale of a girl lost and alone.

At just the right length the novel concerns Sophia who has returned to Paris after an abscence in an attempt to rebuild her life. Unfortunately her life starts the spiral downwards as she wanders the streets and rests in the bars thinking of her past life and the events which have brought her this far.

In equal parts tragic and compelling this is an essential read for anyone who feels like drifting, drinking and dreaming.


so good it hurts
 Customer Rating:  Score = 5 Score = 5 Score = 5 Score = 5 Score = 5
and it really hurts. this book is beautifully bleak. it is a journey through a lost womens mind and memory and self loathing. it builds up and breaks down so well, so poetically, so perfectly, that by the end you are affected deeply and longing to step back into this book and offer something to this perfectly dejected character. don't get me wrong, you won't come out of this suicidal, but you will come out of it very involved and moved

Delicately Violent
 Customer Rating:  Score = 4 Score = 4 Score = 4 Score = 4 Score = 4
It is no wonder that after the publication of this novel people assumed Jean Rhys had committed suicide. It is a dark, introverted, soul-searching novel. It's brilliance lies in the compassion with which Sasha is treated. This is a woman who is unquestionably at the end of her tether. Life occurs almost unconsciously to her. She drinks non-stop and thinks of fashion before eating. But these aren't superficial choices. They are the few soft whispers of a woman about to go over the brink. Throughout the novel you are given brief glimpses of her past as a shop assistant and the troubles in her marriage. In themselves the troubles which result from them are not ample enough to drive a normal woman to such desperation. You feel that the reason for her state of mind is more the result of a profound neglect of her individual spirit by men. She is led on to believe in a progression of being, but is abandoned to clutch at the ghosts of her old haunts in Paris. This is a sharp contrast to the ideas that we have about artistic scene of Paris in this time period. It is a more sincerely concentrated personal experience than most accounts. It is interesting to think of the end in contrast to the jubilant yeses of Molly Bloom in Ulysses. Sasha's yes is one of doom and resignation to a world that has flown past her.

Despite its depressing character, this novel is a fascinating look at a tendency to sink into a psychological state often ignored. It is also a subtle portrayal of an identity built on a knife's edge. Luckily, Ms Rhys did survive this novel (however unhappily). It is a miracle that she did considering the violent lack of self worth of Sasha; to have imagined such a person must have been terrifying indeed.


























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