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Average Customer Rating:

Fantastic	Customer Rating:
I couldn't put this book down, it is a truly wonderful read. It is shorter and easier to read than Half of a Yellow Sun I think but it is just as good. The characters are so vividly and clearly portrayed that I really felt I got to know and understand them. This is a gripping and highly addictive book, I didn't want it to end and I'd absolutely recommend it.

Beautiful, inspiring, heartbreaking

Customer Rating:

This is just a beautiful read! The writing is as clear as a bell and the characters are heartbreakingly real. Kambili is a 15-year old Nigerian girl who is caught between the old order and the new: as Nigeria is suddenly brutalised by a military dictatorship, she is forced to make her own choices, between previously unquestionned family life with her tyrannical father vs her free-thinking, liberated aunt and cousins. And just to complicate matters further, she falls in love..... It's an inspiring and wise mix of the political and personal, which manages to make you think and care deeply about the issues and the people. I have read it twice (rare for me) and it only gets better. Highly recommended reading.

Beautiful Story Line Poor Characterisation

Customer Rating:

My sister recommended Purple Hibiscus to me sometime last year. However, I was reluctant to read the book because I was not sure that it could live up to Half a Yellow Sun, Adichie's other book. In hindsight, I was right. The novel is narrated by Kambili Achike, the fifteen-year old daughter of a wealthy Nigerian businessman. The book begins with a description of her family life: Her wealthy father, Eugene Achike, whom she called Papa, had made good in life. He had numerous factories and a newspaper, which took an uncompromising stand on the corruption of the ruling elite. To cap it all, he was a philanthropist par excellence, supporting many causes. Beneath the respectable veneer, however, all is not well. Her father, supporter of all noble causes sacred and secular, was a very violent man. He regularly beat Kambili and her brother, Jaja at the slightest provocation; failure to say the novenas correctly, eating before Mass, failing to top their high-school class all came in for Papa's lash. Good man that he was, Eugene Achike was particularly obsessed by the Catholic religion. Yes, Papa was a good old religious fundamentalist. The result: Kambili's home, despite all the appurtenances of wealth, was a miserable place where Kambili and her brother lived in mortal fear (of Papa.) Enter Papa's sister, Kambili's Aunt, Ifeoma. Kambili and her brother, Jaja spend two weeks at Aunt Ifeoma's house in Nsukka. The experience changes their lives. Aunt Ifeoma, though not as rich as Papa, is lively, smart, tolerant, in short, all that Papa is not and then some. After their stay at Nsukka, life cannot be the same again. Kambili meets a dashing man of the cloth who takes too keen an interest in the teenager; Jaja and Kambili interact more with their cousins Amaka, Obiora and Chima. They discover a loving world where children think for themselves and are free to speak their minds. The drama between Papa and his family unfolds against a backdrop of recent Nigerian politics. A corrupt military junta has just seized power in a military coup. The junta will do all in its power to squelch dissent and freedom of the press. Papa's incorruptible paper, the Standard, is pressured to recognise the junta. Papa refuses with the result that the paper's editor is assassinated by the military dictators. So far so good a plot. Ms Adichie liberally plagiarised recent Nigerian history for some of her characters. As a Nigerian, I could see that, Ade Coker, the idealist editor, who is killed by a letter bomb in the novel was actually Dele Giwa; the pro-democracy activist killed using acid was Ken Saro-Wiwa, and the military dictator rumoured to have died between the legs of a prostitute, General Sani Abachi. That Ms Adichie spends little effort to disguise these characters is understandable since the novel is primarily about relationships within the Achike family and not about the socio-political situation in the country. To my mind, the novel falls apart due to its superficial - often flat - characterisation. Except for Papa, whose character was fleshed out, all the other characters were light; Mama, for example, always amenable and subservient, Kambili, always the innocent on-looker, and Aunt Ifeoma, always defiant and head-strong. Furthermore, Amaka and Obiora, Kambili's teenage cousins seem too clever by half. When a friend Ifeoma's complains, "The military tyrants continue to reign because the weak cannot resist", Obiora responds, "That's just unrealistic pep-rally nonsense". How many fifteen year olds respond with such depth? Purple Hibiscus succeeds in exposing the hypocrisy of (fundamentalist) religion. Eugene Achike is the product of the clash, rather the grafting, of Christianity onto an African traditionalist substrate. Papa seemed to spent his whole life trying to resolve that conflict. More importantly, it is the story of a young girl trying to come to terms with her sometimes benign but overly domineering father. Ms Adichie is a gifted writer. Her style is simple yet punchy, and reminds me of that of Chinua Achebe. Overall, Purple Hibiscus is a good read. However, for all its strengths and acclaim, its insipid, vapid characterisation did not escape me. Hence, the novel deserves 3 stars. Her other novel, Half a Yellow Sun, which won the Orange Prize, is a more mature, more subtle piece. I would recommend it highly to anyone who wants a more nuanced portrayal of Nigerian life.

Intensely good.	Customer Rating:
This book is simply written but full of intense feelings. It was difficult in that I could have cried throughout for Kambili, her brother and their mother. It is a story of finding true love in unexpected places and a story of the resilience of children. Highly recommended and it will stay with you for days afterwards.

Tense, absorbing

Customer Rating:

As the previous reviewers have noted, Purple Hibiscus became completely addictive and I ended up finishing it at 1am. The characters are absorbing, although at first I couldn't really empathise with Kambili, especially during some of the earlier scenes with her cousin Amaka, where she annoyed me with her complacency. However, as the book went on, Kambili changes and her relationship with her cousins improves.It goes without saying how brilliant the character of Eugene is.He is brutal yet still commands the love of his children and his fanatical view of the Catholic faith affects every move Eugene makes.He believes everything, including excluding his father from his life and domestic violence, will eventually lead to salvation. Eugene is very complex,and he cannot be simply labelled as "evil" or "bad". I thought the relationship between Kambili and the Father was particularly wonderful. Some of the scenes between them are just charged yet Adichie still manages to convey a sense of bittersweetness about the relationship. The book has some incredibly tense moments in it and is just generally a fantastic book. Read it soon!