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Renegade: The Lives and Tales of Mark E. Smith
Renegade: The Lives and Tales of Mark E. Smith

Hardcover
Author: Mark E. Smith
Publisher: Viking
Release Date: April 2008
ISBN-10: 0670916749
ISBN-13: 9780670916740
List Price: £18.99
Average Customer Rating:
Score = 3.5 Score = 3.5 Score = 3.5 Score = 3.5 Score = 3.5
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Customer Reviews
Average Customer Rating: Score = 3.5 Score = 3.5 Score = 3.5 Score = 3.5 Score = 3.5

What you'd expect but that's OK
Customer Rating:  Score = 3 Score = 3 Score = 3 Score = 3 Score = 3
Very chatty, frequently hilarious "autobiography" obviously delivered to some unfortunate transcriber in a pub at closing time. Check out the comedy highlight: the tale of how some promoter was fed up with those snotty post punk types and thought he'd hire those "nice old gentlemen" Chuck Berry and Jerry Lee Lewis. What happened next may be the funniest thing I've read but I won't spoil it for you.

Je ne regrette rien
Customer Rating:  Score = 3 Score = 3 Score = 3 Score = 3 Score = 3
In the thirty years that The Fall has been extant the portrayal in the music press of lead singer Mark E. Smith has never ventured very far away from a cynical, caustic and curmudgeonly caricature. The few attempts at biography have done little to dislodge the`narky Mark' image. Take Simon Ford's well-intentioned, well-researched Hip Priest: The Story Of Mark E Smith and The Fall [2003]. Ultimately, it fails because of Smith's unwillingness to disclose anything to Ford; instead, he relies upon the many interviews Smith has conducted over the years. Therefore, Renegade should be hitting the reader with fresh, undiscovered material.

Sadly, it presents very few surprises to those who have found out about his personality through those interviews. Smith, like his fellow Mancunian Morrissey, has been remarkably forthright and engaging in those meetings with journalists. He has always provided good copy because he has never hidden his light under a bushel. Clearly, he is aware of this, as he acknowledges ("I've always looked at interviews as being an important part of the game"). Ergo, Renegade often evokes a sense of déjà vu. So, I was unsurprised when he disses musicians ("I've never met a guitarist I like really") and did not raise an eyebrow when he proclaims that he is always dissatisfied with the way in which things in life work themselves out (before adding "That's what keeps me going").

Renegade's text appears to be the result of conversations between Smith and his ghost-writer (Austin Collings). This has given the book a loose, conversational feel; it is similar in style and tone to Shane MacGowan and Victoria Clarke's A Drink With Shane MacGowan. That manifests itself in the way that the narrative drifts from discussing studio albums, gigs, line-ups and record company troubles into a variety of unexpected topics, including: the disappearance of Manchester's Victorian architecture, William Burroughs' motivations for writing or the drinking habits of Alex Higgins and George Best. It gives the autobiography the feel of an extended magazine feature, rather than a concerted attempt to tell Smith's story accurately and authoritatively.

Throughout the book is marked by Smith's candour. However, this honesty is not in the confessional spirit of the reformed alcoholic/drug/sex addict rock star attempting to atone or repent for his or her sins. To accusations of self-centredness he pleads guilty, but, points out that "It's as if I am the only one who's ever thought of themselves as the centre of this blue and green ball". The fate of ex-band members who have left, or have been sacked, is a matter of indifference to him ("They came, they saw... and now I no longer see them").The leitmotif of Renegade, if there is one, is surely `Je ne regrette rien'.

In the nice, polite world of alternative/'indie' rock Smith's fractious, unorthodox views can (occasionally) be refreshing. He is willing to be open and honest in his opinions about anything and everything, even if that offends. Speaking of The Fall's greatest champion, the late John Peel, he observes that he was "never a huge fan" of the DJ's radio shows, and "preferred it in the early 1970s". His criticisms of the The Clash's late front man Joe Strummer also highlight this plain-speaking. He argues, quite effectively, that "his politics were all over the place, bluster over substance". These and many other examples scattered through the book point to Smith's contrary spirit. As he observes in a moment of self-awareness, he is "trouble"; he is not "a fellow who can be reined in, given enough coercing". Perhaps this explains the dichotomy in the way he is received: he is perceived either as a misanthropic, reactionary drunk or as a national treasure.

Smith's hope with this autobiography was that it "turns out like Mein Kampf for the Hollyoaks generation". It fails in that grandiose aim. However, it is a diverting read which gives a number of interesting insights in to the psychology and philosophy of the man who was once humorously described by Echo and the Bunnymen's Ian McCulloch as "the most balanced person in the world - he's got a chip on both shoulders'.



You're not up to much
Customer Rating:  Score = 3 Score = 3 Score = 3 Score = 3 Score = 3
Well they say you should never meet your heroes, I would posit that this has never been more true then in the case of Mr Mark E Smith.

The sight of a young MES fronting The FAll going at full tilt into 'container drivers' would be one of the the most exciting and charming experiences I have had as an alternative music fan.

The sound of an older MES being unpleasant about EVERYTHING and EVERYONE is awful. If you want to know what this book is like without reading it, Get on YOUTUBE and watch the clip when He's 'interviewed' on Newsnight about John Peel's death. On the occasion of a mild mannered and well loved Fall-Championing legend dying, MES has a stunning lack of insight, and uses the opportunity to ramble incoherently and acts bizarrely, until the producers start to wonder why the hell they had him on!!!!!!!!!!!!!!!!

The book is full of irrelevant rantings and thoughts, most of which is ill considered, sounds unfair or very immature. Reading it is an interesting though slightly sad experience, and I felt like I was trapped in the corner of a pub - trying to be polite to an old drunk who only made sense when he's abusing someone.

I'd recommend buying it, just for the bizarre experience

Save your money
Customer Rating:  Score = 1 Score = 1 Score = 1 Score = 1 Score = 1
Would suggest die hard Fall fans put their uncritical acclaim for M.E.S to one side & have an objective look at this book - its a bit of a stinker... sorry folks whilst he may be a left field British institution you're left with the feeling of someone cashing in on a publishing advance.

Smith spends the early part of the book going on about how much he loves writing - after 20/30 pages you start wondering then why its ghost written. Actaully its just a seris of repetetive monolues stiched together. As another reviewer has already said he obviously has no talent for prose - just as likely he lacks the ability or inclination to order his thoughts into anything much more than a megalomanics blinkered rant.

Strip way the rants about ex band members & you're left with a series of incohernet monlogues about nothing of any consequence cobbled together into a little more than a set of extended interviews that someone not under pressure to deliver a book would have heavily edited . Not being a massive Fall fan but having maintained a passing interest in M.E.S over 30 years or so mainly for his dogged intransigence I found this hugely dissapointing and didn't add anything to what anyone would have already known about him.

You can find an opiniated beligerent drunk with very little charisma in any pub you choose to walk into so you don't need to spend £15 to encounter one from the comfort of your armchair. Hope person who bought me this as a present isn't reading as don't want to appear ungrateful - there are many more books on offer far more deserving of your hard-earned.

Excellent biography
Customer Rating:  Score = 4 Score = 4 Score = 4 Score = 4 Score = 4
I have to declare an interest here - I'm named in the acknowledgements by the ghostwriter of this book, Austin Collings. As far as the book goes, it's good stuff; I suspect that Mr Collings has contributed more to it that Mr Smith, but that's the drawback to writing someone else's story for them.

The book confirms what I'd long thought: my admiration for Mark E Smith, leader and creative mainspring of The Fall, is still in place. The man has stuck to his vision of that band, weathering the storms of umpteen lineup changes, bankruptcy, drugs and alcohol as he's gone. The book even made me laugh out loud, not what I expected at all.

Unfortunately, the book also confirms that Mr Collings has had a hard ride himself trying to produce this book - what's the betting that Mr Smith couldn't tell you what's in it?

Entertaining - but not easy going.


























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